Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
An experimental work that began as a conceptual hypothesis rooted in corpus linguistics. It evolved into a physical, caring act—mending rusted seaside bicycles and more. This marked the beginning of my constellation approach to art-making—where fragments, gestures, and stories are held in relation.
Two videos are shown here
Mended and standing once more, this bicycle commemorates an English cyclist who tragically lost her life when a car door opened unexpectedly into her path.
Weathered and worn, the bike remains—its frame rusted, its saddles long gone.
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I became curious about seeing him every morning on my way to the Art School, long after a major strike had ended over the harbour workers’ working conditions.
He stood on Tamaki Drive, the most stunning road that runs along the beautiful Auckland Harbour. He held a placard—but I I could never make sense of it.
So one day, I decided to park the car and walk over to talk to him.
Wyne is a silent vide